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What is Scribd? Explore Ebooks. Bestsellers Editors' Picks All Ebooks. Explore Audiobooks. Bestsellers Editors' Picks All audiobooks. Explore Magazines. Editors' Picks All magazines. Explore Podcasts All podcasts. Difficulty Beginner Intermediate Advanced. Explore Documents. Enjoy millions of ebooks, audiobooks, magazines, and more, with a free trial. Ebook 1, pages 11 hours. Start your free days. Read preview. Helps you familiarize yourself with the latest Photoshop tools and features and find your way around the desktop, menus, panels, and more This full-color guide includes eight self-contained minibooks: Photoshop Fundamentals; Image Essentials; Selections; Painting, Drawing, and Typing; Working with Layers; Channels and Masks; Filters and Distortions; Retouching, Restoring, and Printing Covers all the basics for beginners as well as advanced techniques, like managing color, modifying and transforming selections and paths, making corrections with filters, using the liquefy command, trying out Photomerge and merge to HDR pro, preparing graphics for print or the web, creating contact sheets and picture packages, and more From Photoshop fundamentals to dynamic digital imaging techniques, Photoshop CS6 All-in-One For Dummies has your creative needs covered.
Language English. Publisher Wiley. Release date May 10, ISBN Read more from Barbara Obermeier. Photoshop Elements 11 For Dummies. Save Photoshop Elements 11 For Dummies for later. Photoshop Elements For Dummies. Save Photoshop Elements For Dummies for later. Ebook Photoshop - Stupid. Save Photoshop - Stupid. Photoshop CS6 For Dummies. Introduction to Photoshop CS6. Save Introduction to Photoshop CS6 for later. Mastering Photoshop Masks. Save Mastering Photoshop Masks for later.
Photoshop CC - Up to Speed. C-Abel Books. Dreamweaver CS6 For Dummies. Pinterest For Dummies. Save Pinterest For Dummies for later. Building a Web Site For Dummies. Essential Adobe Photoshop CC. Digital Photography Exposure For Dummies. Save Adobe Photoshop: The world's best imaging and photo editing software for later. Related podcast episodes. He specializes in helping corporations use their photos efficiently and effectively by streamlining workflow proces by The Candid Frame: Conversations on Photography.
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Although the images used in the lesson aren't downloadable via the podcast, you can still learn how to use some of the tools and techniques in Adobe Photoshop to correct for later. New Photoshop Camera app. Save New Photoshop Camera app for later. Podcast Episode Tue. Save Tue. O for later. A Simple Guide to Photographing the Moon. Related articles. Film Effect Plugins. Get Any Look You Like! Create Black-and-white Masterpieces In Seconds. Time For Reflection. Paint A Layer Mask. Shoot And Edit.
The Image-editing Workflow. Evening Class. Get Arty With Glowing Highlights. Get Smart With Still-life. Adjustment layers In Photoshop.
Three-shot Filter Focus. How To… focus-stack Fast In Photoshop. A Little Local Knowledge. What did you think? Rate as 1 out of 5, 1 stars. Rate as 2 out of 5, 2 stars. Rate as 3 out of 5, 3 stars. Rate as 4 out of 5, 4 stars. Rate as 5 out of 5, 5 stars. Write a review Review must be at least 10 words. The following sections show you how to customize the workspace so that you can get to work.
Setting display settings with the Window menu The Window menu, shown in Figure , controls the display of panels and some other elements of the Photoshop workspace. To display other types of information, click the right arrow in the status bar, choose Show, and select one of the following options from the menu that appears as shown in Figure : fg Playing with Panels Many image-oriented programs use panels of a sort, and Photoshop has had panels formerly called palettes since version 1.
Here are some more panel-manipulation tips: check. The following sections offer a summary of what you can find and where you can find it. Opening, printing, and saving files The File menu offers a cornucopia of file options, from opening new images and opening saved files to browsing existing files, closing files, and saving files.
Making selections Selections let you work with only part of an image. Making simple image edits The Edit menu contains tools that enable you to cut, copy, or paste image selections in several ways. Creating layers Layers give you a way of stacking portions of an image — like sheets of acetate — on top of one another so that you can work on individual pieces separately.
Applying filters A filter is an effect that changes an entire layer, channel, or selection. The rest of the Filter menu consists of 14 filter categories, each containing from two to more than a dozen options: check. Simplifying your edits with the Options bar The Options bar, shown in Figure , is a great feature because it eliminates the need to access a separate options panel for each tool.
Viewing and navigating the image A hodgepodge of functions is sprinkled throughout the View menu. You can choose to show or hide the following, as shown in Figure fg Here are a few tips for using the Tools panel: check. Selecting tools To select a tool, simply click it in the Tools panel. Getting to know your tools The Tools panel is divided into three sections: tools, color swatches, and icons for Quick Mask or Standard mode and the various screen modes.
The following list details the other residents of the Tools panel shown in Figure fg For everything you need to know about color, see Book II, Chapter 3. Using selection tools The selection tools are the workhorses of Photoshop. Creating and modifying paths The path tools create and modify vector paths, which are elements comprised of straight and curved segments and anchor points.
Using painting tools Generally, the painting tools allow you to apply color or erase pixels. Using tools for cloning and healing The cloning and retouching tools are the powerhouse tools to break out when you need to do some image repairs. Creating effects with typographical tools Type tools pretty much do what their moniker suggests — create type of varying sorts. Using focus and toning tools The focus and toning tools allow you to enhance your image by altering the pixels in various ways.
Creating shapes The shape tools allow you to create vector elements in your image. Viewing, navigating, sampling, and annotating tools Photoshop has an abundance of tools to help you view and navigate your image window.
Saving Time with Tool Presets tip. Creating custom tool presets Follow these short and simple steps to create your own custom tool preset: 1. Select the tool you want to create a preset for. Select the option you want for the tool on the Options bar. Click the Create New Tool Preset button the dog-eared-page icon.
Name the preset and click OK. Install only into the default location. Photoshop is a resource-intensive program. Installing into any other location or attempting to run Photoshop across a network can lead to frustrating problems and loss of work in progress. Disable all spyware and antivirus software before installing. That can lead to malfunctions, crashes, lost work, frustration, and what I like to call Computer Flying Across the Room Syndrome. On Mac, check the Dock.
If you already installed Photoshop and antivirus software was running at the time, I urge you to uninstall and reinstall. If you use auto-backup software, shut it down, too.
Like antivirus software, it can also lead to problems by interfering with the installer. If you have third-party plug-ins, install them elsewhere. Third-party plug-ins — those filters and other Photoshop add-ons that you buy from companies other than Adobe — can be installed into a folder outside the Photoshop folder. Why install outside the Photoshop folder? Should you ever need to gasp! If you have lots of plug-ins, create sets. Plug-ins require random—access memory RAM computer memory that Photoshop uses to process your editing commands.
If you have lots of plug-ins, consider dividing them into groups according to how and when you use them. Sort or install them into separate folders. Hint: Plug-ins that you use in many situations can be installed into multiple folders.
When you need to load a specific set, swap out the alias or shortcut in the Plug-Ins folder and restart Photoshop. If you love fonts, use a font-management utility. Too many active fonts can choke the Photoshop type engine, slowing performance. In the early days of photography, some less-advanced cultures viewed a photo with great suspicion and even fear.
Was that an actual person, trapped in the paper? And how much do you need to know about digital images to work effectively in Photoshop? In this chapter, I give you some basic information about how digital images exist in Photoshop, a real understanding of that critical term resolution, and an overview of the different ways that you can save your images.
But most importantly, I help you understand the very nature of digital images by explaining the world of pixels. Whether you take a picture with a digital camera or use a scanner to bring a photo or other artwork into Photoshop, you are digitizing the image. That is, digit not as in a finger or toe, but as in a number.
Computers do everything — absolutely everything — by processing numbers, and the basic language of computers is binary code. So what does binary code have to do with the wedding photos that you took this weekend or the masterpiece you must print for your thesis project? An image in Photoshop consists of tiny squares of color called pixels pixel is short for picture element , as you can see in the close-up to the right in Figure The computer records and processes each pixel in binary code.
These pixels replicate a photo the same way that tiles in a mosaic reproduce a painting. The tiles individually have no relationship to the image as a whole; rather, they require an association with the surrounding tiles to give them purpose, to make them part of the picture.
Without the rest of the tiles, a single tile has no meaning. Likewise, a single pixel in a digital image is simply a square of color. How you manipulate those pixels, from the time you capture the image digitally until you output the image to paper or the web, determines how successfully your pixels will represent your image, your artwork, your dream.
Here are some basic truths about pixels that you really need to know. Each pixel is independent. You might think that you see a car or a circle or a tree or Uncle Bob in an image, but the image is actually only a bunch of little colored squares. Although you can read about various ways to work with groups of pixels throughout this book, each pixel exists unto itself.
Each pixel is square except on TV. Each pixel can be exactly one color. Figure , at 3, percent zoom, shows each pixel distinctly. Smaller is better generally speaking. The smaller each pixel, the better the detail in an image. However, when you are preparing images for the web, you need smaller images that invariably have less detail. Take a look at Figure , which illustrates how lots more smaller pixels present a better image than do fewer-and-larger pixels.
Smaller pixels also help hide those nasty corners of pixels that are sometimes visible along curves and diagonal lines. When the corners of pixels are noticeable and degrade the image, you call it a bad case of the jaggies. Note the zoom factors in the lower left of each window. Tip Keep in mind that the size at which an image can be printed — and still look good — depends on the number of pixels available.
Sure, these days every cellphone seems to capture at least 10 megapixels, which is fine for 8-x prints and perhaps even as large as x inches. I cover resampling later in this chapter. Pixels are aligned in a raster. The term raster appears regularly when you discuss images created from pixels.
Raster, in this case, refers to the nice orderly rows and columns in which pixels appear. Each image has a certain number of rows of pixels, and each row is a certain number of pixels wide — the columns.
Within the raster, the pixels perfectly align side to side and top to bottom. Every picture created with pixels is rectangular. The image file itself is rectangular, even if it appears round. Pixels actually exist in those seemingly empty areas; the pixels are, however, transparent. You hear the term resolution a lot when working with digital images. Digital cameras have so-many megapixels of resolution; inkjet printers have so-much by so-much resolution; to work in Photoshop, your monitor must have a resolution of at least 1, x pixels; when printing your images, you must use pixels per inch ppi as your resolution wrong!
I go into greater detail about this concept in the upcoming section, " Picking an image resolution. Camera resolution: Digital cameras capture each image in a specific number of pixels.
Take a look at the number of pixels that your camera records for the width and for the height. Multiply the numbers together, divide by one million, and round off the result. Use it as a general guideline when shopping. But remember that a camera with lower resolution using an excellent lens generally produces a better print than a camera with more megapixels using a less expensive lens.
Monitor resolution: Monitor resolution determines how many pixels are visible onscreen. Whether you use a Mac or a PC, you set the monitor resolution at the system level as shown in Figure When you use a higher monitor resolution, you get a larger workspace, but each pixel is smaller, which might make some jobs tougher.
Experiment to find a monitor resolution that works just right for you. Rather, a printer resolution tells you how many tiny droplets of ink are sprayed on the paper. See the following section for more on image resolution. Image resolution is nothing more than an instruction to a printing device about how large to reproduce each pixel. Onscreen, when working in Photoshop, your image has no resolution at all.
Same number of pixels, right? The one real exception to this rule is type: Text is usually measured in points in Photoshop, and that measurement is directly tied to the print size of your document. You find out more about type and text in Chapter Next to Dimensions, you can click the arrow to select a unit of measure, as you can next to Width, Height, and even Resolution.
But the coolest new feature of the revamped Image Size dialog box is the preview. Position the cursor within the window and you can drag to reposition the preview and change the zoom factor.
And rather than dragging and dragging and dragging in the small window to move the preview to a distant part of the image, simply click that area in the image itself to jump the preview to that location. The Reduce Noise slider can be used to minimize the amount of little speckles that sometimes appear when resampling an image. And, much to the delight of math-challenged folks, the Image Size feature does most of the calculations for you.
For example, with the Link option selected note the tiny Link icon to the left of the Width and Height boxes , you enter a new Width, and Photoshop calculates the new Height automatically! To disable this option so that you can change only the width or the height which is rare , just click the Link icon. You have a number of ways to change the size of your photos and other art.
In Chapter 4, I introduce you to cropping chopping off part of the artwork to make it fit a certain size or to improve its overall appearance and impact.
All the content of the original image is there, just at a different size. Plus, you'll discover invaluable tips for fixing common photo flaws, improving color quality, adjusting brightness, removing unwanted background elements, and more. Whether you want to improve how your family photos look or need to add a new skillset to your resume, this friendly guide gives you all the steps to navigating the software and getting top-notch results.
The sky's the limit for stunning photos and innovative images when you have Photoshop CC For Dummies, 2nd Edition in your design toolbox!
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Getting started with Photoshop CC -- pt. Easy enhancements for digital images -- pt. Creating "art" in Photoshop -- pt. Power Photoshop -- pt. The part of tens. There are no reviews yet.
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